The Studio
A post-production studio for filmmakers. Scotland.

The Studio.

To the suite↓
Colour.
Davinci Resolve. From online content to full feature delivery.
Recent - SKIN · FEEBLE · Downtown Lights
To the room↓
Sound.
Dialogue first, music second. Mix and premix for streaming and broadcast. Stereo, 5.1, and 7.1.4 Atmos in-house.
Pro Tools · Adam Audio + Genelec · Dunkeld
To the bench↓
Tools.
Software we build for ourselves and our peers. The dailies pipeline. Timecode utilities. Open source where it helps.
github.com/imlach
01 - the suite

Colour.

Davinci Resolve. From online content to full feature delivery.

We grade the films we shoot, and the films our friends shoot. Look development, conform, masters in every flavour. Custom LUTs and CDL workflows when the project calls for it.

Selected work.

Hover to preview the grade reveal. Open for the full case study.
Before · After
SKIN 2025
Colour, DI ACES · Rec.709
Before · After
FEEBLE 2025
Colour, Online Custom LUT · 2 days
Before · After
Downtown Lights 2023
Edit, Colour Online Master, Social cuts
Before · After
SNEAKER 2026
Colour, DI, Dub Anamorphic · 4K finish
Grade Davinci Resolve, ACES-managed. From single pickups to full feature delivery. 01
Look development Custom LUTs, CDL workflows, on-set viewing pipelines. 02
Conform & online Sync to picture, VFX integration, final masters and deliverables. 03
Recent - colour
SKIN (2025) · FEEBLE (2025) · Downtown Lights (2023) · SNEAKER (2026)
Booking grades - [email protected]
02 - the sound room

Sound.

A small, treated room in Dunkeld. Adam Audio nearfields, Genelec 7.1.4 Atmos, Pro Tools.

We mix the films we shoot, and the films our friends shoot. Dialogue editing, ADR supervision, premix for streaming and broadcast, masters in stereo, 5.1, and 7.1.4 Atmos.

The mix room - Adam Audio + Genelec 7.1.4 Atmos in Dunkeld
Dialogue edit Cleanup, room tone, ADR conform. Per-reel or per-scene. 01
Mix Music, dialogue, FX balance. Theatrical and streaming masters. 02
Atmos & immersive 7.1.4 in-house. Stereo and 5.1 fold-downs delivered alongside. 03
Recent - sound
Mix - SNEAKER (2026) · The Party Line (2022)
03 - the bench

Tools.

We make software for the work we do. Open source where it helps. Internal where it has to be.

Run by a director of photography who's also a platform engineer. The tools come out of the friction of doing the work, not out of a roadmap.

In development

The dailies pipeline.

Camera originals in; proxies, sync, transcripts and search out. Slate OCR, focus notes and visual tags are next.

How it works →
Why

Most colour and edit suites don't talk to your shoot the way they should. The work that gets lost in the dailies process is the same work that gets re-done in the grade - finding the take, finding the line, finding the look. So we built something that doesn't lose it.

Released
h4n-timesync Sync a Deity TC-1-locked Zoom H4N to LTC via the mic input. A weekend's worth of code that fixed a recurring on-set problem. github.com/imlach ↗